Dave Evans: RIP

The news is making its way out on various social media platforms that Dave Evans, aka Bolt-01, died unexpectedly earlier this week.

Dave was like a landmark in the UK comics scene, as co-editor and publisher of FutureQuake Press, home of the FutureQuake anthology, the 2000AD-themed fanzine Zarjaz, and the Strontium Dog-themed fanzine Dogbreath. He was a perennial presence at conventions, his table laid out with comic book wonders, sought out by fans and pros alike.

I've often described Dave and FutureQuake press as the backbone of the UK small press, because it's true. Dave and his co-editor, Richmond Clements, set the bar high for their contributors and many UK creators' careers have their origins in the pages of FQP publications, in no small part due to the diligent, thoughtful editorial skills Dave and Rich brought to their titles.

(Dave was also a prolific letterer, handling many of the lettering duties on FQP's books, and for other publishers, with great care and skill.)

And that's what Dave did, for many, many years. But that's not who he was.

Dave was a lovely man. A warm, genuine human being about whom I have genuinely never heard a bad word spoken. Everyone knew Dave. Everyone loved Dave. And he was my friend.

I didn't know Dave as well I'd have liked, largely due to my own patchy attendance at UK conventions, but I'd run into him every couple of years, and I'd contribute to FQP's books whenever he asked me. I was emailing him barely two weeks ago, exchanging lettering tips and talking about how much we were both looking forward to the convention circuit eventually resuming and planning to hit the bar at the first available opportunity.

And now he's gone. My brain refuses to process the fact that I won't be loudly greeted by him (often from halfway across the hall), that I won't make my way through the more-or-less permanent crowd at his stand and be met by that great, friendly grin of his. That I won't sit in a pub and talk extraordinary amounts of Nerd Shit™ with him over a pint (or several).

All of British comics is poorer for his loss.

But, for all that, I'm unable to imagine how much greater the loss is for his many close friends, and for his family, his love for whom was evident whenever you met him. My heartfelt condolences go out to every one of them.

Farewell, Dave. I'll miss you, you loveable old bastard.

Workflow Hints #3

One tiresome thing (of many) about Adobe Illustrator is the inability to automate layer-specific actions. This means that you can't include any action in a batch process that involves targetting the contents of a specific layer, which has the practical consequence of meaning that you can't delete the Artwork layer in your document if you're exporting lettering-only EPS files.

Or I thought that was what it meant. I can't believe it's taken me twelve years and 60,000 pages to figure out the workaround for this.

We all keep the art layer locked in our working documents, right? Then record this action:

• Select All 

• Create Outlines

• Select -> All on Active Artboard

• Cut

• [Layer Palette] Unlock All Layers

• Select All

• Delete

• Paste In Front

• Save As [EPS/AI/PDF/Whatever] to [whichever folder you dump your exports to]

• Close

• Don't Save

-STOP RECORDING-

And you're done. That's it.

It's worth noting that if you want your layers preserving in the exported EPS, just turn on the "Paste Remembers Layers" option from the Layer palette, and everything will get pasted back onto their original layers, in their original positions and stacking order.

This option is global — once you turn it on, it stays on for all future documents until you turn it off again. If you don't use this option in your regular workflow (although I have it turned on at all times) then simply activate it before you start your EPS batch process, and turn it off again when you're finished!

There are a couple of hiccups, here:

1) If you include some kind of title bar in your lettering for proofing purposes, like this:

Then this action will pick that title bar up and paste it back in with the lettering, even if you want it deleting in the final EPSs.

There are two workarounds for this. Either,

a) Put the title bar in the locked artwork layer. This means you'll have to send the placed artwork to the back of the layer (so that the title bar floats over the art) before locking the artwork layer, or…

b) If you're proofing from InDesign, consider moving the title bar to the master page of your ID proofing document. That way, you can take advantage of ID's auto page-numbering as well as keeping your Illustrator documents 'clean' for export purposes.

2) If you submit a full set of files, even for blank lettering pages, there's no way to clear the clipboard between documents in Illustrator (there's no equivalent 'purge' command like there is in Photoshop) so if you have a page with NO lettering on the active artboard, AI will paste in the lettering from the previous page. I haven't figured out a workaround for that one yet, beyond maybe adding a tiny square or other object somewhere in the bleed to any page that doesn't have lettering.

(Or, obviously, just don't submit files for pages with no lettering!)

Despite those two caveats, this is a real time-saver. Not only do you now not have to open up your exported EPSs and manually delete the artwork on every page, because you're now saving out EPSs without artwork, the export batch process runs in a fraction of the time it used to for a full book.

So, there you go. I thought that one was too good not to share!