Saturday 31 December 2016

Looking Forward, Looking Back…

Well, good riddance, 2016. What a thoroughly dismal year you turned out to be.

Brexit. Trump. Seemingly everybody dying. Not just distant celebrities (and, for the record, it's okay to be upset about those people dying… if their work was important to you, they became part of your life) but people like Stephen Prestwood, a prolific UK small press artist with whom I've worked for years, like Stewart 'WR Logan' Perkins, a much-loved member of UK comic fandom who I met often enough to consider a friend. Like Steve Dilllon, who I never got to know personally, but who was a constant fixture in my comic-reading life for three decades and was a good friend to some people I know quite well. Somehow, it all felt closer to home this year.

In the plus column, I worked on a great many fantastic books with too many fantastic creators and editors to list here. I still can't believe that I closed out 2016 with 8,646 pages lettered.*

Also very much in the plus column, was meeting up with a posse of fellow letterers at NYCC in October. I hope Sal Cipriano won't mind me stealing his accomplished selfie from Facebook to share here, which shows (left to right): Phil Balsman, me, Deron Bennett, Nic J. Shaw, Taylor Esposito, Nate Piekos, Thomas Mauer, Paige Pumphrey, and Sal himself.

Photo shamelessly stolen from Sal Cipriano. What is the collective noun for letterers anyway.
Although I wasn't expecting to win Comics Alliance's award for Outstanding Letterer of 2016, by virtue of simply not being the best letterer on the list, they did have some kind words to say about my work, which provided a real lift to the spirits at the end of the year. You can read them here.

And looking forward? I'm going to rescue my drawing table from the great pile of junk I've stacked up on it, and I'm going to start drawing again. At least an hour a day drawing, and another hour writing. I've missed doing both those things, and I'm determined to do more in 2017. If that means my working day ends up being two hours longer, so be it.

So, screw you, 2016. Onwards and upwards into 2017.

*That's not try-outs, covers or non-story pages. That's actual comic book pages.** An average of almost 24 a day, every day, for the whole of 2016. Wow.

**Just in case anyone is now trying to work how much money I made in 2016, I should mention that a fair chunk of those pages were for small press projects, which I still try to work on whenever my schedule will allow!