Workflow Hints #3

One tiresome thing (of many) about Adobe Illustrator is the inability to automate layer-specific actions. This means that you can't include any action in a batch process that involves targetting the contents of a specific layer, which has the practical consequence of meaning that you can't delete the Artwork layer in your document if you're exporting lettering-only EPS files.

Or I thought that was what it meant. I can't believe it's taken me twelve years and 60,000 pages to figure out the workaround for this.

We all keep the art layer locked in our working documents, right? Then record this action:

• Select All 

• Create Outlines

• Select -> All on Active Artboard

• Cut

• [Layer Palette] Unlock All Layers

• Select All

• Delete

• Paste In Front

• Save As [EPS/AI/PDF/Whatever] to [whichever folder you dump your exports to]

• Close

• Don't Save

-STOP RECORDING-

And you're done. That's it.

It's worth noting that if you want your layers preserving in the exported EPS, just turn on the "Paste Remembers Layers" option from the Layer palette, and everything will get pasted back onto their original layers, in their original positions and stacking order.

This option is global — once you turn it on, it stays on for all future documents until you turn it off again. If you don't use this option in your regular workflow (although I have it turned on at all times) then simply activate it before you start your EPS batch process, and turn it off again when you're finished!

There are a couple of hiccups, here:

1) If you include some kind of title bar in your lettering for proofing purposes, like this:

Then this action will pick that title bar up and paste it back in with the lettering, even if you want it deleting in the final EPSs.

There are two workarounds for this. Either,

a) Put the title bar in the locked artwork layer. This means you'll have to send the placed artwork to the back of the layer (so that the title bar floats over the art) before locking the artwork layer, or…

b) If you're proofing from InDesign, consider moving the title bar to the master page of your ID proofing document. That way, you can take advantage of ID's auto page-numbering as well as keeping your Illustrator documents 'clean' for export purposes.

2) If you submit a full set of files, even for blank lettering pages, there's no way to clear the clipboard between documents in Illustrator (there's no equivalent 'purge' command like there is in Photoshop) so if you have a page with NO lettering on the active artboard, AI will paste in the lettering from the previous page. I haven't figured out a workaround for that one yet, beyond maybe adding a tiny square or other object somewhere in the bleed to any page that doesn't have lettering.

(Or, obviously, just don't submit files for pages with no lettering!)

Despite those two caveats, this is a real time-saver. Not only do you now not have to open up your exported EPSs and manually delete the artwork on every page, because you're now saving out EPSs without artwork, the export batch process runs in a fraction of the time it used to for a full book.

So, there you go. I thought that one was too good not to share!

Workflow Hints #2

Just another quick timesaver.

Has some kind soul sent you a bunch of artwork files that are on-spec but have annoyingly huge file sizes because they've saved the TIFFs without LZW compression?

(Artists and colourists! Seriously, stop doing this. LZW compression is lossless, meaning that there is zero effect on quality. What it does dramatically effect is the file size:

You'll save both disk space and upload/download time for everyone in your entire creative process if you just check that little LZW compression radio button!)

Obviously, you could just set up an Action and batch process the files, but Photoshop saves you the trouble by providing a ready-built option.

If you look under File -> Scripts you'll find an option called "Image Processor" which, if you set it up like this…

…will handle it for you. It also seems to be much, much faster than running a batch process using Actions.

Quick Workflow Hints #1

I really need to stop neglecting this blog. I apologise – I've been lured away by the siren call of other social media and my brain has been mildly broken by three years of unending Brexit madness. Let's try and get some content back on here on at least a semi-regular basis!

So… in that spirit, I'll try to get the ball rolling with some shorter posts about simple things that might help your workflow. This will likely often be Mac-specific, so further apologies to users of other platforms, but Macs are what I know…!

Quick Workflow Hint #1

Here's a handy Mac Finder hint… you all know about CMD-ALT-I…? Forgive me if you already do, but it's incredibly useful if you don't.

Where CMD-I in the Finder gives you an info window on your selected item, CMD-ALT-I does two things. On multiple selections, it shows you all the commonly shared info on those files (so if they're not all, say, grayscale, it won't tell you the colour space) and the combined disk space they take up. If you want to change the default application to open all the JPEGs (or whatever) in a single folder but leave the general setting for the default unchanged, you can do it here.

On a single file selection, it gives you a persistent floating 'inspector' window, so you can use the down-arrow key to work down a list of (say) TIFFs and the info window will update for each new file as it's highlighted, so you can check that all the TIFFs are the same size (it will only give you pixel dimensions, but you can immediately see if some of the files are a different size), that they're all CMYK, even that they all have the same colour profile.

Not earth-shattering, I know, but this regularly saves me a couple of minutes and those minutes all add up over repetitious tasks.